Steffie spira

Steffie Spira aus Wikipedia, der freien Enzyklopädie

Steffie Spira war eine Schauspielerin. Sie prägte als Volksschauspielerin die sozialistische Theaterkultur der DDR entscheidend. Spira spielte unter anderem in Theaterstücken von Bertolt Brecht, Gerhart Hauptmann und Nikolai Wassiljewitsch Gogol. Steffie Spira (eigentlich Stephanie Spira, verheiratet Stephanie Spira-Ruschin, geboren 2. Juni in Wien, Österreich-Ungarn; gestorben Mai in. Steffie (Stephanie) Spira wurde am 2. Juni in Wien in eine Künstlerfamilie hineingeboren: Ihr Vater war der Schauspieler, Operettensänger und Pionier. Spira, Steffie (eigentlich Steffanie). Regisseurin, * 2. 6. Wien, † 5. Berlin, ⚰ Berlin, Friedrichsfelde, Zentralfriedhof. Übersicht; NDB 24 (). Steffie Spira kam aus einer deutsch-österreichischen Theaterfamilie. Der Vater war der Schauspieler Fritz Jacob Spira, die Mutter Lotte Spira-Andresen.

steffie spira

Steffi Spira. gest. Mai Steffi Spira. Geboren ; stammt aus einer Schauspielerfamilie, Schwester der westdeutschen Schauspielerin Camilla Spira​;. Spira, Steffie (eigentlich Steffanie). Regisseurin, * 2. 6. Wien, † 5. Berlin, ⚰ Berlin, Friedrichsfelde, Zentralfriedhof. Übersicht; NDB 24 (). Steffie Spira kam aus einer deutsch-österreichischen Theaterfamilie. Der Vater war der Schauspieler Fritz Jacob Spira, die Mutter Lotte Spira-Andresen.

Steffie Spira Video

Steffie Spira über ihre Rückkehr nach Berlin 1947 und die DDR

Steffie Spira Video

Steffie Spira über ihre Rückkehr nach Berlin 1947 und die DDR Frauen im Jeder Ort bietet bei Klick oder Mouseover einen Click here. Die Zeit vor dem More info 2. Ihre Kindheit verbrachte sie ab in Berlin. Freiburg: Kore So wie es ist, bleibt es nicht. Toggle navigation Deutsche Biographie. Weitere W u. Marburger Hefte zur Medienwissenschaft. Sassenberg Hg. Steffi Spira. gest. Mai Steffi Spira. Geboren ; stammt aus einer Schauspielerfamilie, Schwester der westdeutschen Schauspielerin Camilla Spira​;. Serien und Filme mit Steffie Spira: rbb retro · Polizeiruf · Der Staatsanwalt hat das Wort · Florentiner 73 · Apfelbäume · Cosimas Lexikon · Die . Steffie Spira war eine Schauspielerin. Sie prägte als Volksschauspielerin die sozialistische Theaterkultur der DDR entscheidend. Spira spielte. Steffie Spira, Actress: Ernst Thälmann - Sohn seiner Klasse. Steffie Spira was born on June 2, in Vienna, Austria-Hungary as Stephanie Spira. She was an. steffie spira

Steffie Spira Darstellerin in Filmen

Exiltheater ; Kosch, Theater- Lex. Volk, in: Der Tagesspiegel Berlin v. Europa u. Daneben trat sie als Kabarettistin auf, wurde politisch aktiv, engagierte sich gewerkschaftlich und arbeitete mit Agitpropgruppen zusammen. Wiens,S. In Paris trat sie von bis in dem von ihr mitgegründeten Ensemble Die Laterne https://smtele.se/online-filme-stream-deutsch/vera-fluss.php. Von Oktober here Anfang war sie in source Internierungslager für Frauen in Rieucros interniert. Toggle navigation Deutsche Biographie.

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Berlin-Mitte, Mitte, Berlin, Germany. Zentralfriedhof Friedrichsfelde. Share Save to Suggest Edits. Memorial Photos Flowers. Read More Bio by: Rudi Polt.

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Edit flower. Leave a note Optional characters remaining. Austrian-German actress. Spira addressing the Alexanderplatz demonstration in Vienna , Austro-Hungarian Empire.

Berlin , Germany. Categories : births deaths Austrian people of Jewish descent Austrian stage actresses Austrian film actresses Austrian silent film actresses Austrian communists German people of Jewish descent German stage actresses German film actresses German silent film actresses German communists Actresses from Vienna Exiles from Nazi Germany 20th-century German actresses 20th-century Austrian actresses Austrian emigrants to East Germany Austrian actor stubs.

Namespaces Article Talk. Views Read Edit View history. Carrar's Rifles. Meanwhile, back in Nazi Germany, Camilla, no longer celebrated as "the perfect Aryan woman" because of her mixed parentage, was only able to keep her stage career alive by performing for the Nazi-approved Jüdischer Kulturbund Jewish Culture League , which served both to maintain the morale of Germany's beleaguered Jewish community and provide the Nazi propaganda machine with evidence to convince a doubting world how truly "magnanimous" the Third Reich could be toward its "non-Aryan" subjects.

Nazism took a toll on the entire Spira family. Fritz, who accepted a theater job in Poland, convinced Lotte to divorce him in order keep her own career alive in Germany.

As a result, Lotte Spira-Andresen's acting career once again began to flourish, whereas her former husband sank into obscurity and poverty in Vienna, where he began to live in In November , at the time of the infamous Kristallnacht pogrom, Camilla fled Nazi Germany with her husband and two sons.

Although they hoped to reach the United States , that nation's doors had slammed shut, and they found themselves in Amsterdam, perilously close to the Third Reich.

The start of World War II in September resulted in "security measures" that authorized the arrest and incarceration of all German nationals in France, virtually all of whom were anti-Nazi refugees most of them defined as being Jewish by the Third Reich like Steffie and Günter.

Both camps were notorious, but the greatest anxiety for the couple was being separated from their six-year-old son Thomas. A distraught Steffie did not know of his whereabouts or condition for almost a year, when she was reunited with him.

In Rieucros, a camp created exclusively for women enemy aliens, Steffie played an important role in maintaining the morale of her fellow detainees by organizing plays, dramatic readings and other cultural events.

In early , the situation brightened when the Ruschins received an American visa, but in August it was withdrawn.

By then, U. However, Mexico's consul-general in Marseilles, Gilberto Bosques, whose government was both anti-Nazi and a friend of Spanish Republican refugees still living in France, provided the family a visa to emigrate to Mexico.

Despite the fact that Steffie was pregnant and in precarious health as a result of her many months in Rieucros, she had little choice but to cross the Pyrenees via the route established by Lisa Fittko.

In Madrid, en route to the relative safety of Portugal and embarkation to the New World, Steffie gave birth to a daughter named Rutta, who lived only a few days.

For the next five-and-a-half years, they lived in Mexico City , where Steffie worked as a cook, cleaning woman, and nurse-companion to terminally ill patients.

She and her husband also ran a lending library of German-language books which allowed them to socialize with fellow refugees but did little to put food on the table.

Meanwhile, as German troops swept across the Netherlands in May , Camilla and her family tried to escape to England, but their train was bombed.

Trapped in occupied Amsterdam, she continued to appear on stage with other Jewish actors. In May , she was taken to Westerbork concentration camp , a transit facility for Dutch and other Jews destined for Auschwitz and the Final Solution.

Camilla not only was able to continue to perform in Westerbork, whose commandant found her attractive, but was saved by her mother Lotte, who in Berlin managed to convince Nazi officials that her oldest daughter was not half-Jewish as they had believed, but "pure Aryan.

The fabrication was successful, and consequently Camilla and her family were released from Westerbork in October Only weeks later, in December, Lotte died in Berlin.

Fritz did not survive the year either, finding death in the Ruma concentration camp in Yugoslavia.

Before the Nazi invasion of Yugoslavia, he had secured a visa for Shanghai, but was captured by the Nazis before he could escape.

Camilla and her family survived the Holocaust by spending the remainder of the war in hiding in Amsterdam. In , they emigrated to the United States , but being homesick they returned to Berlin in That same year, , Steffie finally succeeded in returning to Germany from Mexico with her husband and son.

Although Steffie was an active member of the all-powerful Socialist Unity Party Sozialistische Einheitspartei Deutschlands or SED , in private she had growing doubts about the justness of its conception of socialism, particularly after the suppression of a GDR workers' uprising in June , and the GDR's participation in the Soviet-led military suppression of Czechoslovakia's " Prague Spring " reform movement.

The repressive atmosphere of the GDR affected her own life when Günter Ruschin lost his post as the Volksbühne's chief dramatic producer in as punishment for having presented Vladimir Mayakovsky's play The Turkish Bath in an anti-Stalinist version deemed subversive by SED bureaucrats.

Broken in spirit, Ruschin suffered two heart attacks and died prematurely in at age Another blow to Steffie's faith in the "real existing socialism" the GDR claimed to embody took place in when her son Thomas fled to the West.

Years later, he recalled that although she could never support his decision, with the passage of time she was able to accept it.

For four decades, from the late s to the collapse of the GDR in , Camilla and Steffie Spira lived very different lives, although both were acclaimed Berlin actresses in their sectors of the divided city.

Even before the erection of the Berlin Wall in , they met only occasionally, and, when they did, it was rarely in a spirit that was warm or sisterly.

During these years, Camilla was able to create a highly successful career for herself as an actress on the Berlin and West German stage, as well as in films and in later years on television where she was incomparable in "motherly" roles.

The world changed dramatically in , not only for Germany but for the Spira sisters. On the 40th anniversary of the GDR, in October , Steffie showed her bitter dissatisfaction with the regime headed by such unyielding hard-liners as Erich and Margot Honecker by displaying from her apartment window the GDR flag marked with a ribbon of mourning crepe Trauerflor.

After she gave her short but incisive speech at the mass Alexanderplatz demonstration on November 4, —broadcast live over GDR television and reported throughout West Germany—she became a major celebrity.

When the Berlin Wall ceased to divide Germans, the two sisters met and reconciled. Within months, they became superstars of the new, united Germany.

Grande Dame Camilla and unrepentant Marxist reformer Steffie continued to disagree on many political questions, but now they did so on stage before enthusiastic audiences, or before film cameras to capture for posterity a unique moment in the troubled history of Germany.

The warmth of the two elderly sisters' feelings for each other reflected a national euphoria that began to evaporate even before the two German states were united on October 3, In September , on the eve of unification, Camilla told a reporter from The New York Times that she recalled the fall of the Berlin Wall less than a year earlier as having been "very beautiful but I couldn't empathize.

I have an uneasy feeling, an oppressive feeling. I've had such good experiences with people from many nations. In their last years of life, the bond between the two sisters remained strong.

With the publication of two books, Steffie became renowned as an author as well as an actress. Camilla remained the dignified embodiment of a now-vanished tradition of German acting.

She also probed into the most painful parts of her life, which included a visit to Westerbork in which she struggled to maintain her composure.

Both sisters enjoyed not only their renewed personal encounters, but also found pleasure in the their late fame.

Steffie gave countless interviews to journalists and historians, while Camilla fought the infirmities of advanced age by remaining active as a woman of the stage.

In her last public appearance, in March , Camilla appeared at a commemorative evening to honor the achievements of Berlin's Jüdischer Kulturbund under the Nazi dictatorship, reading poems by the great German-Jewish Romantic poet Heinrich Heine.

Steffie died in Berlin on May 10, Camilla died in the same city on August 25, After her death, Berlin made Steffie Spira a permanent part of its history by naming a street in her honor.

Douer, Alisa, and Ursula Seeber, eds. Wie weit ist Wien? Lateinamerika als Exil für österreichische Schriftsteller und Künstler.

Vienna: Picus, Eisenbürger, Gert. Hamburg: Verlag Libertäre Assoziation, , pp. Funke, Christoph.

Zentralfriedhof Friedrichsfelde. Freiburg im Breisgau: Kore, Sign in. Truppe 31 was banned as "subversive," and brown-shirted thugs broke into and smashed the artists' apartment block on the Laubenheimer Platz in Berlin-Wilmersdorf where Steffie lived with her husband and infant son Thomas. Disdaining the world of the "bourgeois stage," she and her husband became members of Gustav von Wangenheim's Truppe 31, an actors' collective that traveled throughout Germany read article present political agitprop productions satirizing the flaws of https://smtele.se/serien-stream-to/grey-anatomy-staffel-11.php and warning of the imminent threat of Hitlerism.

I wish for my great-grandchildren to grow up in schools without roll-calls and political indoctrination or that they have to wear uniforms and carry torches as they march past the Big Shots [ die hohen Leute ].

I have one more proposal: Let us transform Wandlitz [the district of East Berlin reserved for high government officials] into a retirement home [ Altersheim ]!

Those among them who are over the age of sixty can remain there if they do what I will now do—relinquish my place and depart [ Abtreten ]!

With these words, Spira became one of the most popular women in the GDR, expressing along with such others as Bärbel Bohley the desire of the populace for sweeping reforms and an end to the GDR regime's repressions.

Five days later, the Berlin Wall ceased to exist as a dividing line between Germans. German actress. Born into a family of actors, the sisters Steffie and Camilla Spira both became actresses themselves.

Their father Fritz Spira, a Viennese-born singer and comic actor, was noted for his humor, whereas their mother Lotte Spira-Andresen was more interested in serious drama.

As well, the family's move to Berlin in resulted in their daughters' spoken German becoming a colorful "bilingual" zweisprachig mixture of Viennese and Berlin accents.

As a young girl, Steffie yearned to become a dancer, and was already enrolled to begin her studies in with Mary Wigman in Dresden. Unfortunately an accident, resulting from some horseplay with her high-spirited Viennese cousins, caused knee and tendon injuries so severe that they ended her dreams of a dance career.

The stage now beckoned both Camilla and Steffie, and they soon found success in Berlin's theaters, Camilla becoming a singing and acting star in various operettas, including Ralph Benatzky's smash hit Im Weissen Rössl White Horse Inn.

Steffie was also successful on the Berlin stage, as well as in several films. Financially, however, her situation was often precarious and, along with many other German actors, she was an active trade unionist, attempting to bring about a modicum of economic protection in a profession notorious for its lack of security.

In January , Steffie became part of German theater history by appearing in the small role of Hiobja in the successful premiere of Bertolt Brecht 's Mann ist Mann Man is Man , part of a cast that boasted such stars as Heinrich George and Helene Weigel.

By the early s, however, Steffie's life had begun to move on a different track from that of her sister. Whereas Camilla showed scant interest in Germany's increasing turbulence, made worse by economic depression, Steffie became active in the struggle against Fascism and Nazism.

Particularly among the young, despair was the prevailing mood, and the future looked grim. Growing numbers of Germans, including Steffie, believed that only a thorough social revolution would halt Adolf Hitler and his legions of brown-shirted barbarians in their tracks.

Steffie made two decisions in that would alter the course of her life. From this point on, her life and art were inseparable from the struggle to transform Germany into a Marxist republic.

Disdaining the world of the "bourgeois stage," she and her husband became members of Gustav von Wangenheim's Truppe 31, an actors' collective that traveled throughout Germany to present political agitprop productions satirizing the flaws of capitalism and warning of the imminent threat of Hitlerism.

The march of Nazism could not be halted either through theater performances or the ballot box, however, and on January 30, , Hitler was appointed Germany's chancellor.

Ironically, on February 2, , Camilla sat through the premiere of her new film Morgenrot Break of Dawn , a patriotic war epic, with Hitler and other Nazi leaders in attendance, and was praised that evening as "the perfect embodiment of German womanhood.

Within days of Hitler's accession to power, a reign of terror against political foes of the Nazis, particularly those on the left, swept through Germany.

Truppe 31 was banned as "subversive," and brown-shirted thugs broke into and smashed the artists' apartment block on the Laubenheimer Platz in Berlin-Wilmersdorf where Steffie lived with her husband and infant son Thomas.

During this time, her husband was arrested and thrown into a Nazi prison cell. Fearing for her own and her infant's life, Steffie fled to Zurich, Switzerland.

Only because of a clerical error was Günter Ruschin released from prison, and he was able to flee Germany and join his wife and son in their Swiss refuge.

Life was precarious for Steffie and Günter, and both had little choice but to find odd jobs to pay the rent. Günter began an improbable career as a textile salesman while Steffie worked as a cleaning woman for rich French families, but in her spare time she continued to appear on stage, including performances at Die Laterne The Lantern , a cabaret founded and run by and for German-speaking exiles from Germany, Austria and Czechoslovakia.

Steffie continued to develop as an artist during these years and was also able to appear in non-cabaret roles, including a major part in the October world premiere of Bertolt Brecht's topical play on the Spanish Civil War , Die Gewehre der Frau Carrar Mrs.

Carrar's Rifles. Meanwhile, back in Nazi Germany, Camilla, no longer celebrated as "the perfect Aryan woman" because of her mixed parentage, was only able to keep her stage career alive by performing for the Nazi-approved Jüdischer Kulturbund Jewish Culture League , which served both to maintain the morale of Germany's beleaguered Jewish community and provide the Nazi propaganda machine with evidence to convince a doubting world how truly "magnanimous" the Third Reich could be toward its "non-Aryan" subjects.

Nazism took a toll on the entire Spira family. Fritz, who accepted a theater job in Poland, convinced Lotte to divorce him in order keep her own career alive in Germany.

As a result, Lotte Spira-Andresen's acting career once again began to flourish, whereas her former husband sank into obscurity and poverty in Vienna, where he began to live in In November , at the time of the infamous Kristallnacht pogrom, Camilla fled Nazi Germany with her husband and two sons.

Although they hoped to reach the United States , that nation's doors had slammed shut, and they found themselves in Amsterdam, perilously close to the Third Reich.

The start of World War II in September resulted in "security measures" that authorized the arrest and incarceration of all German nationals in France, virtually all of whom were anti-Nazi refugees most of them defined as being Jewish by the Third Reich like Steffie and Günter.

Both camps were notorious, but the greatest anxiety for the couple was being separated from their six-year-old son Thomas.

A distraught Steffie did not know of his whereabouts or condition for almost a year, when she was reunited with him.

In Rieucros, a camp created exclusively for women enemy aliens, Steffie played an important role in maintaining the morale of her fellow detainees by organizing plays, dramatic readings and other cultural events.

In early , the situation brightened when the Ruschins received an American visa, but in August it was withdrawn.

By then, U. However, Mexico's consul-general in Marseilles, Gilberto Bosques, whose government was both anti-Nazi and a friend of Spanish Republican refugees still living in France, provided the family a visa to emigrate to Mexico.

Despite the fact that Steffie was pregnant and in precarious health as a result of her many months in Rieucros, she had little choice but to cross the Pyrenees via the route established by Lisa Fittko.

In Madrid, en route to the relative safety of Portugal and embarkation to the New World, Steffie gave birth to a daughter named Rutta, who lived only a few days.

For the next five-and-a-half years, they lived in Mexico City , where Steffie worked as a cook, cleaning woman, and nurse-companion to terminally ill patients.

She and her husband also ran a lending library of German-language books which allowed them to socialize with fellow refugees but did little to put food on the table.

Meanwhile, as German troops swept across the Netherlands in May , Camilla and her family tried to escape to England, but their train was bombed.

Trapped in occupied Amsterdam, she continued to appear on stage with other Jewish actors. In May , she was taken to Westerbork concentration camp , a transit facility for Dutch and other Jews destined for Auschwitz and the Final Solution.

Camilla not only was able to continue to perform in Westerbork, whose commandant found her attractive, but was saved by her mother Lotte, who in Berlin managed to convince Nazi officials that her oldest daughter was not half-Jewish as they had believed, but "pure Aryan.

The fabrication was successful, and consequently Camilla and her family were released from Westerbork in October Only weeks later, in December, Lotte died in Berlin.

Fritz did not survive the year either, finding death in the Ruma concentration camp in Yugoslavia. Before the Nazi invasion of Yugoslavia, he had secured a visa for Shanghai, but was captured by the Nazis before he could escape.

Camilla and her family survived the Holocaust by spending the remainder of the war in hiding in Amsterdam. In , they emigrated to the United States , but being homesick they returned to Berlin in That same year, , Steffie finally succeeded in returning to Germany from Mexico with her husband and son.

Although Steffie was an active member of the all-powerful Socialist Unity Party Sozialistische Einheitspartei Deutschlands or SED , in private she had growing doubts about the justness of its conception of socialism, particularly after the suppression of a GDR workers' uprising in June , and the GDR's participation in the Soviet-led military suppression of Czechoslovakia's " Prague Spring " reform movement.

The repressive atmosphere of the GDR affected her own life when Günter Ruschin lost his post as the Volksbühne's chief dramatic producer in as punishment for having presented Vladimir Mayakovsky's play The Turkish Bath in an anti-Stalinist version deemed subversive by SED bureaucrats.

Broken in spirit, Ruschin suffered two heart attacks and died prematurely in at age Current rating: 12 votes Sign-in to cast your vote.

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From Wikipedia, the free encyclopedia. Austrian-German actress. Spira addressing the Alexanderplatz demonstration in Vienna , Austro-Hungarian Empire.

Berlin , Germany. Categories : births deaths Austrian people of Jewish descent Austrian stage actresses Austrian film actresses Austrian silent film actresses Austrian communists German people of Jewish descent German stage actresses German film actresses German silent film actresses German communists Actresses from Vienna Exiles from Nazi Germany 20th-century German actresses 20th-century Austrian actresses Austrian emigrants to East Germany Austrian actor stubs.

Toggle navigation Deutsche Science-fiction filme. Europa u. Theaterleben, Schausp. Nach Please click for source in der Volksbühne, am Hebbel- und am Thalia-Theater schloss sie sich der kommunistischen Theatergruppe Truppe an. Fotos v. Während Read more. Inhalt Galerie. Autoren jüd. Exil u. Exiltheater ; Kosch, Theater- Click to see more. Wiens,S. Für immer seien Hubachers bedankt. Camilla u.

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